Film and Video Professional Production LED Lighting Global Market Forecast & Analysis 2018-2028

A leading market research consultancy covering the LED lighting industry, today announced the release of their global market forecast of the use of light emitting diode (LED) professional production lights in Television/Broadcast, Motion Picture, and Videography.

According to the market forecast report, the global consumption of LED professional lighting lamps/fixtures reached $256.5 million in 2018.  During the forecast period, the value of the LED-equipped lighting is forecast to increase to $508.5 million in the year 2028.  Market forecast data in the study report refers to consumption (use) for a particular calendar year; therefore, this data is not cumulative data.

According to the study, LED-based lighting is forecast to be the light source of the next generation in the professional production lighting sector studied in this market research project. Current LED technology already competes favorably with Hydrargyrum medium-arc iodide (HMI), fluorescent and tungsten sources and is powerful enough for the new crossover videographers.

LED lighting is increasingly used in Hollywood and broadcast/TV and movie studios worldwide since LED solutions are a cool running (temperature), energy efficient, light source with an adequate quality of light giving increasingly accepted color rendition and “natural” skin tones. This LED technology is not just limited to large panels of light, but is also available in small, portable, battery operated units that could be attached to video cameras that are currently available. 

New LED-based professional production lights are designed to meet the needs of demanding videographers.  LED technology is a strong competitor to other light source technologies, due to its reliability, light quality, durability (rugged) and rapid on/off features (and several other benefits) of LED lighting in professional production applications.

Some examples of video/motion professionals that specify and use LED lighting include: steady-cam operators; Cinematographers; Operators, television, video, and motion picture camera; News camera operators; Motion picture camera operators; Electronic newsgathering operators; Video camera operators; Film and video editors; Camera operators, television, video, and motion picture; Video editors; ENG operators; Studio camera operators, others.

Broadcast studio camera operators work in a broadcast studio and usually videotape/ digital recording their subjects from a fixed position. News camera operators, also called electronic news gathering (ENG) operators, work as part of a reporting team, following newsworthy events as they unfold. To capture live events, they must anticipate the action and act quickly.  Television, video, and motion picture camera operators usually acquire their skills through formal postsecondary training at film schools, colleges, universities, or photographic institutes; therefore, LED lighting manufacturers should consider these institutions in the marketing efforts.

The sales and distribution of LED-based professional production lights are typically aimed at:

•           Rental Companies

•           Lighting Designers

•           Lighting Engineers and Specifiers

•           Content Production Companies

•           Venue/locations (Stadiums, Arenas, Other)

In this global market forecast study report of LED-based professional production lights used in the television/broadcast, videography, and motion picture/film industry sectors, over 60 companies, which compete in this sector, are profiled. 

LED professional production lighting, which is used for General Lighting purposes, but with primary concern to accommodate the parameters of High Definition (HD) or other related production concerns for broadcast/TV, motion pictures or videography illumination, is covered in this market forecast. The major market potential for these general lighting/production lights is in sport arenas and stadiums that prefer lighting, which are compliant with slow-motion and/or high-definition television standards.

The broadcast/television, motion pictures and professional videography industry sectors employ professional camera operators in the United States and worldwide. Independent television stations, local affiliate stations of television networks or broadcast groups, large cable and television networks, or smaller, independent production companies, employ camera operators. There also are a large number of self-employed camera operators and film editors. Some self-employed camera operators contract with television networks, documentary or independent filmmakers, advertising agencies/commercials, or trade show or convention sponsors to work on individual projects for a set fee, often at a daily rate. 

Larger square or rectangle (shape) LED lights, which also include linear or tube led in consumption value last year in 2018 with nearly 50 percent in relative market share versus the other LED light categories.  The average selling prices (ASPs) for smaller devices are significantly less than the larger fixtures.

In terms of volume (number of units), the smaller units currently hold the market share lead; however, because of their relatively low average selling price (ASP) compared to the larger-sized units, they have a lesser market share in terms of value.

The worldwide value of LED-based production lighting in the Television/Broadcast segment was $152 million in 2018, compared to $73.2 million in the Motion Picture category and $31.2 million in the Videography industry segment.

TV/Broadcast stations worldwide continue to retrofit their studios with LED-based production lights, to improve the picture quality with the new HDTV-based requirements.  Also, other benefits of LED lighting versus the incumbent lighting, includes consumption of less electrical power and quiet operation (no fan required), as well as ‘flicker-free” operation. Also, LEDs not only use less energy, less air conditioning is required in the studio, since heat generated by LED lights is negligible.

LED production lights in the motion picture/film category is driven by requirements for lighting effects and set lighting, mainly because of its flexibility.  A single light source can generate a great variety of colors.  Additionally, continuous cost/performance improvements driven by technological advancements are driving the LED lighting fixture market from a niche-only solution to a general use solution.

Regions  The market data are segmented into the following geographic regions, plus a Global summary; separate data-sheets are provided for the U.S.A. and Rest of the American region:

• America
  • United States of America
  • Rest of America
• EMEA (Europe, Middle East, plus Africa)
• APAC (Asia Pacific)

Applications   The market data are segmented into the following professional production end-user groups (applications):

• Broadcast/Television
• Motion Pictures (Cinematography)
• Videography

The market forecast data are presented for the LED light fixture, segmented by the following functions:

• Consumption Value (US$, million)
• Quantity (number/units)
• Average Selling Prices (ASP $, each)

Market Forecast, By Light Shape and Size  This report provides an independent examination and analysis of the changing market dynamics for the major types of LED-based lighting fixtures, segmented by shape/size:

• Small LED Light
  • Square or Rectangle (less than 12 x 12-inch)
  • Circular/Ring/Fresnel (less than 12-inch Outer Diameter)
• Large LED Light
  • Square or Rectangle (12 x 12-inch and Larger)
  • Circular/Ring/Fresnel (12-inch Outer Diameter and Larger)

Below, are five levels (or “food chain”) pertaining to the LED marketplace.  For the purposes of THIS ElectroniCast study, we quantify and provide a market forecast for Level 5. 

Level 1 - The chip or die

Level 2 - The LED component (component-level bulb)

Level 3 - LED array; may include optics, heat sink and/or power supply

Level 4 - Lamp

According to the market forecast report, the global consumption of LED professional lighting lamps/fixtures reached $256.5 million in 2018.  During the forecast period, the value of the LED fixtures with lamps is expected to increase to $507 million in the year 2028.  Market forecast data in the study report refers to consumption (use) for a particular calendar year; therefore, this data is not cumulative data.

The worldwide value of LED-based production lighting in the Television/Broadcast segment reached $152 million in 2018, compared to nearly $72.2 million in the Motion Picture (film) category and the remainder in the Videography industry segment. The TV/Broadcast industry sector is continuously challenged with expenditure reduction, due mainly to the decline in advertisement revenue; however, paid subscription-based TV, supplements the television sector in terms of upgrades in lighting.

High performance TV/Broadcast cameras require professional-grade lighting to achieve the highest expectations for Slow Motion and High Definition (HD) TV standard-based production; therefore, along with the goal of energy-efficiency, LED-based lighting is proving to be the next-generation winning technology-choice for use in sport arenas and stadiums.

TV/Broadcast stations worldwide continue to retrofit their studios with LED-based production lights, to improve the picture quality with the new HDTV-based requirements.  Also, other benefits of LED lighting versus the incumbent lighting is the consumption of less electrical power, since LEDs use less energy and also less air conditioning is required since heat generated by LED lights is negligible.

LED production lights in the motion picture/film category is driven by requirements for lighting effects and set lighting, mainly because of its flexibility.  A single light source can generate a great variety of colors.  Additionally, continuous cost/performance improvements driven by technological advancements are driving the LED lighting fixture market from a niche-only solution to a general use solution.

Market Research Methodology

Market analysis and technology forecasting are complex tasks. Any predictions of the shape and trends of technology and economic movement start from the notion that the germ of what will be important tomorrow is present, although smaller or larger or in a different form, in our environment today. However, taking as a basis for a prediction the assumptions of current, conventional belief creates a set of preconceived notions that can lead to serious mistakes. Instead, looks to the basic driving forces.

The interviews were conducted principally with:

• Engineers, marketing personnel and management at manufacturers of LEDs (chips, components, lamps and fixtures) as well as other technologies, especially tungsten, fluorescent, HMI, and Xenon
• Design group leaders, engineers, marketing personnel and market planners at major users and potential users of LEDs
• Other industry experts, including those focused on standards activities, trade associations, and investments 

The interviews covered issues of technology, R&D support, pricing, contract size, reliability, documentation, installation/maintenance crafts, standards, supplier competition and other topics.  Customers and distributors were interviewed, to obtain their estimates of quantities received and average prices paid.  Customer estimates of historical and expected near term future growth of their application are obtained. Their views of use of new technology products were obtained.

The analyst then considered customer expectations of near-term growth in their application, plus forecasted economic payback of investment, technology trends and changes in government regulations and funding/tax-break legislation/rules in each geographical region, to derive estimated growth rates of quantity and price of each product subset in each application. These forecasted growth rates are combined with the estimated baseline data to obtain the long-range forecasts at the lowest detailed level of each product and application.       

A full review of published information (secondary research) was also performed to supplement information obtained through primary research (interviews). The following sources were reviewed:

• Professional technical journals and papers
• Trade press articles; Product literature
• Technical conference proceedings
• Company profile and financial information
• Additional information based on previous ElectroniCast market studies
• Personal knowledge of the research team

In analyzing and forecasting the complexities of worldwide markets for light emitting diode products, it is essential that the market research team have a good and a deep understanding of the technology and of the industry. ElectroniCast consultants who participated in this report were qualified.

Bottom-up Methodology  Market forecasts data are developed initially at the lowest detail level, and then summed to successively higher levels. The background market research focuses on the amount of each type of product projected-use in each application in the base year (last year - 2018), and the prices paid at the first transaction from the manufacturer. This forms the base year data.

Analysts then forecast the growth rates in component quantity use in each application, along with price trends, based on competitive, economic and technology forecast trends, and apply these to derive long term forecasts at the lowest application levels. The usage growth rate forecasts depend heavily on analysis of overall end user trends toward equipment usage and economic payback.

 1. Executive Summary 1-1
 1.1 Overview 1-1
 1.2 Unpackaged and Packaged LEDs – Overview 1-23
 1.3 LEDs – Technology Overview 1-40
 1.4 DMX512 Controllers 1-51
 1.4.1 DMX512 Hardware 1-51
 1.4.2 DMX512 Software 1-67
 2. LED Production Lighting Market Forecast & Analysis, By Fixture Size and Shape 2-1
 2.1 Overview 2-1
 2.2 Square/Rectangle (  2.3 Circular/Ring/Fresnel (less than 12-inch Outer Diameter) 2-40
 2.4 Square/Rectangle (12 x 12-inch and Larger) 2-44
 2.5 Circular/Ring/Fresnel (12-inch Outer Diameter or Larger) 2-48
 3. Market Forecast by Application 3-1
 Global 3-20
 America 3-23
 EMEA 3-25
 APAC 3-27
 Television/Broadcast 3-29
 Global Market Forecast – Television/Broadcast 3-34
 America Region – Television/Broadcast 3-37
 Europe, Middle East, Africa (EMEA) – Television/Broadcast 3-39
 Asia Pacific Region (APAC) – Television/Broadcast 3-41
 Motion Picture 3-43
 Global Market Forecast – Motion Picture 3-45
 America Region – Market Forecast – Motion Picture 3-47
 EMEA Region – Market Forecast – Motion Picture 3-49
 APAC Region – Market Forecast – Motion Picture 3-51
 Videography 3-53
 Global Market Forecast – Videography 3-56
 America Region – Market Forecast – Videography 3-58
 EMEA Region – Market Forecast – Videography 3-60
 APAC Region – Market Forecast – Videography 3-62
 4. LED-Based Professional Production Lighting Competition 4-1
 4.1 Profile Briefs 4-1
 AadynTech (Sturdy Corporation) 4-3
 Aputure Imaging Industries Co. Ltd. 4-7
 ARRI Group / ARRI Media GmbH 4-8
 American DJ Group of Companies (ADJ) 4-14
 BargerLite 4-16
 BB&S Lighting 4-17
 Bescor Video Accessories Ltd. 4-19
 Boling Photographic Equipment Co., LTD. (Fuzhou) 4-20
 Bowens International Ltd. (Limelite Video & Broadcast) 4-22
 Came Photographic Equipment Co., Ltd. (Xiamen /CAME-TV) 4-25
 Chroma-Q (A.C. Entertainment) 4-26
 Cinimills Corporation (CMC) - includes LEDZ 4-27
 DADCO, LLC (SUNRAY) 4-30
 DataVision (LEDGO) 4-33
 De Sisti Lighting 4-34
 DiCon Lighting (Fiilex Brand) 4-36
 Digital Sputnik 4-40
 DMLite Co. Ltd. (LUMOS) 4-43
 Dracast 4-47
 Electronic Theatre Controls, Inc. (ETC) 4-48
 Ephesus Lighting Incorporated 4-50
 Flolight LLC 4-51
 Fluotec S.A. de C.V. 4-52
 Fotodiox Inc. 4-53
 FoxFury, LLC 4-56
 F&V Lighting USA (Fuzhou F&V Photographic Equipment Co., Ltd.) 4-57
 GODOX Photo Equipment Co. Ltd 4-59
 Gradus Group LLC (Genaray Brand) 4-60
 Ianiro Lighting 4-63
 ikan Corporation 4-63
 Interfit Photographic Lighting, Ltd. 4-68
 Kino Flo Lighting Systems 4-70
 LEDGO Technology Limited 4-72
 Light & Motion 4-75
 Lume Cube 4-77
 LUPO SRL 4-78
 Metz-Werke GmbH & Co KG 4-79
 Mole Richardson 4-80 Nanguang Photo & Video Systems Co., Ltd (Guangdong) 4-83
 Neewer Inc. (Shenzhen Xing Ying Da Industry Co) 4-84
 Nila, Incorporated 4-85
 OSRAM GmbH. / OSRAM SYLVANIA 4-86
 Photoflex® 4-89
 PrimeTime Lighting Systems 4-91
 PR Lighting Ltd. 4-93
 ROBE Lighting s.r.o. 4-98
 Rosco Laboratories 4-99
 Rotolight Inc. 4-100
 SoftPanels (Kickstarter) 4-104
 Sokani 4-105
 Sony Corporation 4-107
 Spotlight Srl 4-109
 Stellar Lighting Systems 4-110
 Strand Lighting (Philips) 4-112
 Sunfrom Pro Lighting Equipment Co., Ltd. (Suncoming) 4-116
 Tiffen/Lowel 4-117
 Uplight Stage Equipment (GZ) Co., Ltd 4-121
 Ushio America, Inc. / Zylight LLC 4-122
 Vibesta B.V. 4-130
 Visio Light Inc. 4-131
 Vitec Group – (Litepanels®); Monfrotto; and others 4-133
 Westcott (F.J. Westcott Co.) 4-145
 Yong Nuo Photographic Equipment Co. Ltd. 4-150
 Yuyao Lishuai Film & Television Equipment Co., Ltd 4-151
 Zabolight 4-153
 Zomei (XuZhou Zomei Photography Equipment Co., Ltd.) 4-154
 4.2 Competitor Market Share Estimates (Global) – Selected Market Leaders (2018) 4-156
 5. ElectroniCast Market Research Methodology 5-1
 6. Definitions - Acronyms, Abbreviations, and General Terms 6-1
 6.1 Acronyms, Abbreviations, and General Terms 6-1
 6.2 Lighting Standards and Protocols 6-78
 7. ElectroniCast Market Forecast Data Base Explanation 7-1
 
 Addendum
 - Microsoft Excel Data Base Spreadsheets (Global Market Forecast)
 o Detailed Data: ASP ($, each), Quantity (Million), Value ($, Million)
 

List Of Tables

 1.1.1 LED Professional Production Lighting Fixtures Global Forecast, By Region ($Million) 1-3
 1.1.2 LED Professional Production Lighting Fixtures Global Forecast, By Region (Quantity/Units) 1-5
 1.1.3 Benefits of LED Lighting in Professional Production 1-8
 1.1.4 LED Professional Production Lighting Fixtures Global Forecast, By Application ($Million) 1-10
 1.1.5 LED Professional Production Lighting Fixtures Global Forecast, By Application (Quantity/Units) 1-10
 1.1.6 LED Professional Production Lighting Fixtures Global Forecast, By Size/Shape ($Million) 1-17
 1.1.7 LED Professional Production Lighting Fixtures Global Forecast, By Size/Shape (Quantity/Units) 1-18
 1.1.8 LED Professional Production Lighting Fixtures Global Forecast, By Size/Shape (ASP, $ Each) 1-18
 1.3.1 LED Color Variety – Selected Examples 1-46
 1.3.2 LED Color Chart 1-49
 2.1.1 LED Professional Production Lighting Forecast - America, By Size/Shape (Value Basis, $Million) 2-19
 2.1.2 LED Professional Production Lighting Forecast - America, By Size/Shape (Quantity/Units) 2-20
 2.1.3 LED Professional Production Lighting Forecast - America, By Size/Shape (ASP, $ Each) 2-20
 2.1.4 LED Professional Production Lighting Forecast - USA, By Size/Shape (Value Basis, $Million) 2-22
 2.1.5 LED Professional Production Lighting Forecast - USA, By Size/Shape (Quantity/Units) 2-23
 2.1.6 LED Professional Production Lighting Forecast - USA, By Size/Shape (ASP, $ Each) 2-23
 2.1.7 LED Professional Production Lighting Forecast – Rest of America, By Size/Shape ($Million) 2-26
 2.1.8 LED Professional Production Lighting Forecast – Rest of America, By Size/Shape (Quantity/Units) 2-27
 2.1.9 LED Professional Production Lighting Forecast – Rest of America, By Size/Shape (ASP, $ Each) 2-27
 2.1.10 LED Professional Production Lighting Forecast - EMEA, By Size/Shape (Value Basis, $Million) 2-29
 2.1.11 LED Professional Production Lighting Forecast - EMEA, By Size/Shape (Quantity/Units) 2-30
 2.1.12 LED Professional Production Lighting Forecast - EMEA, By Size/Shape (ASP, $ Each) 2-30
 2.1.13 List of Countries in the Asia-Pacific Region 2-31
 2.1.14 LED Professional Production Lighting Forecast - APAC, By Size/Shape (Value Basis, $Million) 2-33
 2.1.15 LED Professional Production Lighting Forecast - APAC, By Size/Shape (Quantity/Units) 2-34
 2.1.26 LED Professional Production Lighting Forecast - APAC, By Size/Shape (ASP, $ Each) 2-34
 3.1 Global Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million) 3-34
 3.2 Global Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units) 3-35
 3.3 Global Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each) 3-35
 3.4 America Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million) 3-37
 3.5 America Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units) 3-37
 3.6 America Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each) 3-38
 3.7 EMEA Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million) 3-39
 3.8 EMEA Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units) 3-39
 3.9 EMEA Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each) 3-40
 3.10 APAC Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape ($Million) 3-41
 3.11 APAC Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (Quantity/Units) 3-41
 3.12 APAC Forecast of LED Fixtures Used in TV/Broadcast, By Size/Shape (ASP, $ Each) 3-42
 3.13 Global Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million) 3-45
 3.14 Global Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units) 3-46
 3.15 Global Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each) 3-46
 3.16 America Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million) 3-47
 3.17 America Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units) 3-47
 3.18 America Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each) 3-48
 3.19 EMEA Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million) 3-49
 3.20 EMEA Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units) 3-49
 3.21 EMEA Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each) 3-50
 3.22 APAC Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape ($Million) 3-51
 3.23 APAC Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (Quantity/Units) 3-51
 3.24 APAC Forecast of LED Fixtures Used in Motion Pictures, By Size/Shape (ASP, $ Each) 3-52
 3.25 Global Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million) 3-56
 3.26 Global Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units) 3-57
 3.27 Global Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each) 3-57
 3.28 America Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million) 3-58
 3.29 America Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units) 3-58
 3.30 America Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each) 3-59
 3.31 EMEA Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million) 3-60
 3.32 EMEA Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units) 3-60
 3.33 EMEA Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each) 3-61
 3.34 APAC Forecast of LED Fixtures Used in Videography, By Size/Shape ($Million) 3-62
 3.35 APAC Forecast of LED Fixtures Used in Videography, By Size/Shape (Quantity/Units) 3-62
 3.36 APAC Forecast of LED Fixtures Used in Videography, By Size/Shape (ASP, $ Each) 3-63
 4.2.1 LED Professional Production Light Panel/Fixtures: Competitor Market Share Estimates (2018) 4-156
  

List Of Figures

 1.1.1 Camera-Mountable LED Fixture 1-11
 1.1.2 Slim Profile, Small LED Rectangle Light 1-12
 1.1.3 Circular Camera-Mountable LED Fixture 1-13
 1.1.4 LED Fresnel Light Fixture 1-14
 1.1.5 12x12-inch Light Panel 1-15
 1.1.6 19-Inch LED Ring Light Fixture Set 1-16
 1.2.1 Diagram of a typical LED chip 1-23
 1.2.2 Diagram of schematic structure of AlGaN-based UV LED Chip 1-24
 1.2.3 2D LED Structure - wavelength can be specifically influenced 1-26
 1.2.4 Chip-on-Glass Cross-Sectional Structure 1-27
 1.2.5 Electrostatic discharge (ESD) - Integrated Protection Devices for LEDs 1-28
 1.2.6 Electrostatic Discharge Example 1-29
 1.2.7 Chip-on-Board LED Technology 1-30
 1.2.8 Chip-Scale Package (CSP) LEDs 1-32
 1.2.9 High Performance LED 1-33
 1.2.10 Surface Mounted Device (SMD) LED 1-34
 1.2.11 Chip-on-Board and Multi-Chip-on-Board (COB/MCOB) LED 1-35
 1.2.12 Tunable Chip-On-Board LEDs with Highly Efficient Color Mixing 1-36
 1.2.13 COB Packaged LEDs Provide Natural Light Spectrum 1-38
 1.2.14 High Efficacy 90 CRI Chip-on-Board LEDs 1-39
 1.3.1 LED Chromatic Chart 1-48
 1.3.2 Evolution of Research Emphasis during Technology Life Cycle 1-50
 1.4.1.1 DMX512 HB-LED Implementation 1-52
 1.4.1.2 Discrete DMX512 Receiver Block Diagram 1-53
 1.4.1.3 DMX512 Receiver Block Diagram 1-54
 1.4.1.4 DMX Dimmer Pack 1-56
 1.4.1.5 Rack-Mount DMX & RDM Splitter 1-57
 1.4.1.6 USB - DMX512 Modules 1-59
 1.4.1.7 DMX-to-Analog Converter 1-61
 1.4.1.8 DMX Tester 1-64
 1.4.1.9 Lighting Playback & Integration Processor 1-65
 1.4.1.10 DIN Rail DMX512 Fail-Over Switch 1-66
 1.4.2.1 USB-DMX interface - Software Deliverables 1-68
 1.4.2.2 PC-DMX Controller – Software 1-69
 1.4.2.3 Lighting Control Software: Control Builder Screen Page View 1-70
 2.1.1 LED Production Lighting Panel/Fixtures 2-3
 2.1.2 HD Broadcast Friendly LED Lighting in Sports Stadium 2-9
 2.1.3 HDTV compliant Stadium LED Light 2-11
 2.1.4 HDTV compliant Stadium LED Light 2-11
 2.1.5 LED Production Lighting Panels/Fixtures Global Forecast, By Size and Shape ($ Million) 2-16
 2.1.6 LED Production Lighting Panels/Fixtures Global Forecast, By Size and Shape (Quantity/Units) 2-17
 2.1.7 LED Production Lighting Panels/Fixtures Global Forecast, By Size and Shape (ASP, $ Each) 2-18
 2.2.1 Square or Rectangle LED Fixtures, Less than 12x12-inch in Size Global Forecast, ($ Million) 2-35
 2.2.2 Square or Rectangle LED Fixtures, Less than 12x12-inch in Size Global Forecast, (Quantity/Units) 2-36
 2.2.3 Square or Rectangle LED Fixtures, Less than 12x12-inch in Size Global Forecast, (ASP, $ Each) 2-37
 2.2.4 Small Rectangle LED Light Fixture 2-38
 2.2.5 Light with 144 LEDs 2-39
 2.3.1 Circular/Ring/Fresnel LED Fixtures, Less than 12-inch in Diameter Global Forecast, ($ Million) 2-40
 2.3.2 Circular/Ring/Fresnel LED Fixtures, Less than 12-inch in Diameter Global Forecast, (Qty/Units) 2-41
 2.3.3 Circular/Ring/Fresnel LED Fixtures, Less than 12-inch in Diameter Global Forecast, (ASP, $ Each) 2-42
 2.3.4 8.3-inch Diameter LED Circular Spot 2-43
 2.4.1 Square or Rectangle LED Fixtures, 12x12-inch in Size or Larger Global Forecast, ($ Million) 2-44
 2.4.2 Square or Rectangle LED Fixtures, 12x12-inch in Size or Larger Global Forecast, (Quantity/Units) 2-45
 2.4.3 Square or Rectangle LED Fixtures, 12x12-inch in Size or Larger Global Forecast, (ASP, $ Each) 2-46
 2.4.4 14x14-inch LED Light Panel 2-47
 2.5.1 Circular/Ring/Fresnel LED Fixtures, 12-inch in Diameter or Larger Global Forecast, ($ Million) 2-48
 2.5.2 Circular/Ring/Fresnel LED Fixtures, 12-inch in Diameter or Larger Global Forecast, (Quantity/Units) 2-49
 2.5.3 Circular/Ring/Fresnel LED Fixtures, 12-inch in Diameter or Larger Global Forecast, (ASP, $ Each) 2-50
 2.5.4 LED Circular Fresnel Spot Fixtures 2-51
 3.1 LED TV-Studio Lighting in the United States 3-7
 3.2 LED TV-Studio Lighting in London 3-9
 3.3 LED-based Wash-Type Light 3-10
 3.4 LED TV-Studio Lighting in Lebanon 3-11
 3.5 LED TV-Studio Lighting in Croatia 3-12
 3.6 LED Professional Production Lighting Fixtures Global Forecast, By Application ($ Million) 3-21
 3.7 LED Professional Production Lighting Fixtures Global Forecast, By Application (Quantity/Units) 3-22
 3.8 LED Professional Production Lighting Fixtures America Forecast, By Application ($ Million) 3-23
 3.9 LED Professional Production Lighting Fixtures America Forecast, By Application (Quantity/Units) 3-24
 3.10 LED Professional Production Lighting Fixtures EMEA Forecast, By Application ($ Million) 3-25
 3.11 LED Professional Production Lighting Fixtures EMEA Forecast, By Application (Quantity/Units) 3-26
 3.12 LED Professional Production Lighting Fixtures APAC Forecast, By Application ($ Million) 3-27
 3.13 LED Professional Production Lighting Fixtures APAC Forecast, By Application (Quantity/Units) 3-28
 3.14 Digital Broadcast Standards – Regional 3-33
 3.15 Utilizing LED lights on a Film Set 3-44
 3.16 HMI-Based Professional Light 3-54
 4.1.1 LED Production Light/Fixture 4-4
 4.1.2 Major League Baseball – LED Production Light/Fixture for TV/Broadcast 4-5
 4.1.3 LED Light/Fixture (LED -Quad Panel) 4-6
 4.1.4 LED Fresnel Light 4-10
 4.1.5 LED Light Panel 4-13
 4.1.6 LED Fresnel Light 4-15
 4.1.7 LED Light Panel with Remote Phosphor Panel (AREA 48 Studio LED) 4-18
 4.1.8 LED-Based Light 4-19
 4.1.9 LED Panel Light (Daylight Only) 4-21
 4.1.10 LED Panel 4-23
 4.1.11 On-Camera LED Light 4-24
 4.1.12 LED Light (Panels) 4-28
 4.1.13 LED Light/Fixture 4-29
 4.1.14 Fixture Assembly with LED PAR Lamps 4-31
 4.1.15 4-Foot LED Tubes/Ladder Fixture 4-32
 4.1.16 Fresnel Lens Spotlight Using a LED array 4-35
 4.1.17 Round Light/Fixtures 4-38
 4.1.18 LED-Based Light Source 4-39
 4.1.19 LED Lighting as a Replacement of HMI Lights 4-41
 4.1.20 LED Lighting/Fixture 4-42
 4.1.21 400-Watt Fresnel Lens LED Light 4-43
 4.1.22 High Definition (HD) Studio LED Lighting 4-44
 4.1.23 LED-Based Broadcast TV Studio Lighting 4-45
 4.1.24 LED Panel Light 4-46
 4.1.25 LED-Based Spotlight 4-49
 4.1.26 HDTV Compliant Stadium LED Light 4-50
 4.1.27 LED-Based Production Lamp/Fixtures with Stands and Carry Bags 4-51
 4.1.28 LED-Based Lighting Products (Sample) 4-52
 4.1.29 High-Intensity LED Fresnel Light for Film & Television 4-54
 4.1.30 Professional Bicolor Dimmable Studio Photo/Video LED Light 4-55
 4.1.31 Rugged LED Light 4-56
 4.1.32 Daylight Studio Panel Light with 400 LEDs 4-58
 4.1.33 LED Light Stick 4-60
 4.1.34 10" Round Bi-Color LED Light 4-62
 4.1.35 Powerful Compact and Waterproof LED Light 4-66
 4.1.36 Studio Light with 500 LEDs 4-67
 4.1.37 LED-based 1200 Bi-Color Panel Lighting 4-68
 4.1.38 LED-based Ring Lighting 4-69
 4.1.39 DMX LED Light Fixture 4-69
 4.1 40 Ultra-Soft Light (Light Panel) 4-72
 4.1.41 Bi-color Ultra Soft LED Studio Light 4-74
 4.1.42 Ultra-Compact Professional LED Light 4-76
 4.1.43 Small 1500 Lumen Light 4-77
 4.1.44 LED Video Camera Light 4-79
 4.1.45 LED-Based 4.5” (114mm) Fresnel 4-81
 4.1.46 LED-Based Panel Light 4-82
 4.1.47 LED-Based Production Lamp/Fixture (Front and Rear view) 4-85
 4.1.48 LED-Based Set Light 4-87
 4.1.49 100-Watt Single LED Light Unit 4-90
 4.1.50 LED Fresnel 4-92
 4.1 51 LED Light - LED Studio 4-94
 4.1.52 LED Light - LED Studio 4-95
 4.1.53 LED Light - LED Studio 4-96
 4.1.54 LED Light - LED Studio 4-97
 4.1.55 LED-Based Photography/Video Lights 4-99
 4.1.56 900 LED Professional Photography Studio Video Light Panel 4-106
 4.1.57 Interchangeable Lens Camera LED Ring Light 4-108
 4.1.58 LED Ring Light 4-111
 4.1.59 Studio Panel LED Luminaire 4-115
 4.1.60 Two-Color LED Camera Light 4-116
 4.1.61 LED-Based Production Lamp/Fixture (Front and Rear view) 4-119
 4.1.62 Portable LED-Based Light 4-120
 4.1.63 7-inch LED Fresnel Light 4-127
 4.1.64 LED-Based Panel Light 4-129
 4.1.65 Light with 144 LEDs 4-132
 4.1.66 LED-Based Fresnel Light and Panel Fixture 4-137
 4.1.67 LED-Based Fresnel Light Fixtures 4-138
 4.1.68 LED-Based Fresnel Light Fixtures 4-139
 4.1.69 Schematic Drawing: LED-Based Fresnel Light Fixture (12-inches) 4-140
 4.1.70 LED Soft Panel (24x12-inch Soft Panel) 4-141
 4.1.71 Compact Base Foundation for Quick Change Head LED Light Module System 4-142
 4.1.72 Professional LED Light designed for Videographers and Photographers 4-143
 4.1.73 LED Light for Motion and Still Capture 4-145
 4.1.74 LED-Based Photography Linear Light (20.25-inches) 4-146
 4.1.75 Flexible LED Light Mat 4-148
 4.1.76 Flexible LED Light Mat (Continue) 4-149
 4.1.77 Assorted LED Linear Photography Light (18-Inches) 4-150
 4.1.78 LED-Based Production Lamp/Fixture 4-152
 4.1.79 LED-Based Production Lamp/Fixture (Front and Rear view) 4-153
 4.1.80 18-Inch LED Photography Ring Light 4-154
 4.1.81 18-Inch LED Photography Ring Light 4-155
 5.1 Market Research & Forecasting Methodology 5-3

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